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Sandra's avatar

That’s an interesting theory about Gog and Magog being the original intended narrators for this section. Dickens’s creative process in cobbling these stories together really fascinates me, and it seems that, even six weeks in, he still didn’t have a clear idea where he was going with Master Humphrey.

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Richard LeComte's avatar

I was expecting some kind of deflation or joke in the second part of the story involving what actually was going on. The twist here is intriguing — the spy ends up doing a more noble or “Christian” thing (albeit for money) than the exposure of “witches.” At the end he needs to reinforce the hysteria and superstition of witch hunting rather than expose it for the sham that it was. It’s as if society needs to preserve its delusions at all cost. I’m reminded of the orphan workhouse in Oliver Twist and the school in Nicholas Nickleby — institutions that harm to individuals are covered up by societal delusions of doing good.

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